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Examples from this site's pipeline

Last verified 2026-11-02 · Sources: img/ pipeline pairs (3 photos x 3 detail levels), checked 2026-11-02 · Report an error

By Shangyi Duan · Reviewed against the photo requirements on /methodology

Three source photos, each run at the three detail levels the tool offers. Every output below was produced by this site's pipeline from the photo above it. The source photos are the site's own test files in img/; the outputs sit beside them in the same folder.

What this shows: the same subject at three detail settings, so you can see what “Clean”, “Balanced” and “Fine” actually change on an object with a clear outline. It does not show a portrait, a pet or a healed tattoo — see What these examples do not show at the bottom.

1. A child's tricycle chained to a gate post

A red child's tricycle chained to a stone gate post in front of a tiled doorway
Source photo: img/src-bike.jpg. One hard-edged object, flat light, busy stone background: the case the Clean setting handles best.
Line art of the red tricycle alone on white, gate post and chain left out, clean detail level
Clean · out-bike-simple.jpg
Produced by this site's pipeline
Line art of the red tricycle with the chain and part of the gate post, balanced detail level
Balanced · out-bike-balanced.jpg
Produced by this site's pipeline
Line art of the red tricycle, chain and gate post with more interior lines, fine detail level
Fine · out-bike-detailed.jpg
Produced by this site's pipeline

The Clean output drops the post, the chain and the pavement and keeps the tricycle outline. Fine brings the chain and the post plate back and keeps more wheel and frame detail. If you want only the object, Clean is the setting that gives you only the object — and it is the one that survives best at 6–8 cm.

2. Two vintage cars in front of yellow garage doors

Two vintage cars parked side by side in front of yellow garage doors
Source photo: img/src-car.jpg. Two subjects with similar outlines, high-contrast background stripes, front-on angles.
Line art of the two vintage cars with the yellow garage doors left out, clean detail level
Clean · out-car-simple.jpg
Produced by this site's pipeline
Line art of the two vintage cars with grille and bumper detail, balanced detail level
Balanced · out-car-balanced.jpg
Produced by this site's pipeline
Line art of the two vintage cars with grille slats, mirrors and bumper detail, fine detail level
Fine · out-car-detailed.jpg
Produced by this site's pipeline

The garage doors disappear at every level, which is what you want from a background with strong vertical lines. Clean leaves the two body shapes readable as a pair; Fine adds the grille slats and the mirrors. Two subjects in one frame already strains the tool: at 10 cm the pair still separates, but each car is small.

3. A yellow house, a bicycle and a man reading

A yellow house with a blue bicycle parked outside and an old man reading on the step
Source photo: img/src-house.jpg. A full scene: architecture, one large object and one person. The hardest of the three for a line-only output.
Line art of the yellow house scene with the shuttered door, lantern, bicycle and seated man, clean detail level
Clean · out-house-simple.jpg
Produced by this site's pipeline
Line art of the house doorway with the lantern, bicycle and seated man reading, balanced detail level
Balanced · out-house-balanced.jpg
Produced by this site's pipeline
Line art of the bicycle and the seated man reading, with the house architecture left out, fine detail level
Fine · out-house-detailed.jpg
Produced by this site's pipeline

This is the honest one: the three settings keep different parts of the scene. Clean keeps the shutters, the lantern and the doorway. Fine drops most of the architecture and keeps the bicycle and the man reading. The setting is not a “more detail” slider on a full scene — it changes which edges the model treats as subject, and that is a known limitation, not a feature. For a scene like this, pick the element you actually want as a tattoo and crop the photo to it first.

What these examples do not show

How to read the three settings

Clean uses the fewest interior lines and is the setting that holds up at small sizes. Balanced adds interior structure where the subject has it. Fine keeps the most interior lines and needs a bigger final size: at 5–6 cm, fine hatching closes up into a grey patch. The size ranges that fit each setting are on /tattoo-size-by-placement, and the geometry-only version of the same numbers is on /tattoo-size-chart.

None of these files is a finished tattoo design. An artist redraws line weights, spacing and edges for your skin and placement — that is the point of the seven handoff checks.

Try it with your own photo