Will This Photo Make a Workable Tattoo?
A photo is ready when it has enough pixels, enough tonal separation, a background that does not compete, and a subject that fills the frame. This page measures those four from the file, in this tab, and tells you which one to fix.
Pick a file to see the four measurements.
Drag a box around the subject to correct the automatic box.
What each check measures
All four are arithmetic on a 256 px copy of the image. “Strong edge” means a pixel whose Sobel gradient is in the top 20% of that copy.
| Check | What is computed | Bands used here | What it tells you |
|---|---|---|---|
| Resolution | Longest pixel edge of the file | ≥2000 plenty · 1000–1999 workable · 600–999 small · <600 too small | How much real detail the outline can trace |
| Contrast | Standard deviation of luminance on the 256 px copy, 0–255 | ≥40 good · 28–39 flat · <28 very flat | Whether subject and background separate in tone |
| Background | Strong-edge density in the outer 12% ring ÷ density in the middle 60% box | ≤0.60 quiet · 0.60–0.85 some texture · >0.85 busy | Whether background objects will be read as part of the design |
| Subject in frame | Area of the box holding 90% of strong edges, or the box you drag | 45–85% good · 25–44% small · <25% too little · >85% tight | How much of the frame the subject claims |
What this page cannot tell you
- Whether it will look like the subject. That is the conversion’s job, not the file’s. How much detail survives depends on the style you choose.
- Whether your chosen size is possible. That is the needle-and-gap question; the seven handoff checks cover it.
- How ink will read on your skin. The five skin-tone swatches in the try-on are screen approximations, not a prediction.
- Sharpness. A 4000 px blurry photo scores at the top on resolution. Zoom to 100%: if the eyes or the letter edges are mush, they will not get sharper downstream.
Two fixes that solve most photos
Crop. A tight crop usually fixes background clutter and subject size at the same time, and it costs nothing.
Reshoot in even daylight. Put the light behind you rather than behind the subject, turn the flash off, and avoid a background with the same tone as the fur, hair or clothing. That is the practical fix for a flat contrast reading.
For angle, light and what to leave out of the frame, see photo tips.